The work of Margot Quan Knight and Rob Rhee is included in a group show entitled “The Potato Eaters” guest curated by Dawn Cerny and Dan Webb. Opening reception is Thurs., Jan. 7 from 6 – 8pm. A curatorial walk-through of the show with the artists takes place on Sat. Jan. 9 at noon. Show is on view from Jan. 7 through Feb. 20. Greg Kucera Gallery. 212 Third Ave. S. 206-624-0770 or go to www.gregkucera.com.
The work of Eunice Kim, Han Hsiang-Ning and Sohee Kim is included in a show entitled “Large Works on Paper” on view from Jan. 7 – 30. Opening reception is on First Thursday, Jan. 7 from 6 – 8pm. The work of contemporary Japanese printmaker Hiroyuki Tajima is on view Feb. 4 – 27. A group show on “Contemporary Chinese Printmaking” opens in March. Davidson Galleries at 313 Occidental Ave. S. 206-624-1324 or go to www.davidsongalleries.com.
Columbia City Gallery has a show entitled “Local Gems” through Jan. 10. Christine Lee has work in the main gallery in a group show of gallery artists. See work by Saya Moriyasu and others in The Guest Gallery. 4864 Rainier Ave. S. 206-760-9843 or go to columbiacitygallery.com.
The work of Thuy-Van Vu is included in an upcoming group show entitled “At Large” set to run from Jan. 22 – Feb. 27 at G. Gibson Gallery at 300 S. Washington St. Go to www.ggibsongallery.com for details.
“Thought Patterns” is a group show featuring artists and craftspersons working in diverse media and how they construct their ideas in patterned and repetitive ways. Features the work of Louise Kikuchi, June Sekiguchi and others. Through Feb. 14. Bainbridge Art Museum at 550 Winslow Way E. on Bainbridge Island. (206) 842-4431 or go to www.biartmuseum.org. Open daily. Free.
“Genius/21 Century/Seattle” is a large-scale celebration of exceptional multidisciplinary and collaborative artistic practice in Seattle in the twenty-first century. Featured are over sixty visual artists, filmmakers, writers, theater artists, composers, musicians, choreographers, dancers, and arts organization. Artists participating in “Genius” were selected by leading arts writers and the Seattle artistic community to be recipients of “The Stranger Genius Award”. Eyvind Kang, Lead Pencil Studio, Susie J. Lee and D.K. Pan are among the list of distinguished artists included in this exhibition. The exhibition and its more than thirty-five events going on until Jan. 10, 2016. Frye Art Museum. 704 Terry Ave. (206) 622-9250. Admission and parking are always free. Closed Mondays.
“Slash And Burn” is a group show curated by Suze Woolf that looks at artists who either cut or burn material to make their art. The work of Naoko Morisawa and June Sekiguchi is included. Through Jan. 30, 2016. Kirkland Art Center at 620 Market St. in Kirkland. (425) 822-7161.
“Hello! Exploring the Supercute World of Hello Kitty” is a show that should prove to be a family favorite. On loan from the Japanese American National Museum, the show lands in Seattle at the EMP Museum at Seattle Center through May 15, 2016. The show looks on the history of the Japanese icon and her influence on popular culture. Includes an extensive product survey, with rare and unique items from the Sanrio archives, alongside a selection of innovative contemporary artworks inspired by Hello Kitty and her world. 5th Ave. N. (206) 770-2700. $25 general admission ($20 for EMP members), $10 for youth 5 – 17. Free for kids 4 and under.
Seattle Art Museum downtown is “Conversations With Curators” series is back. The series takes place Wednesday evenings between November and goes on through June, 2016. There is a 6pm Happy Hour in the South Hall and the lectures start at 7pm in the Plestcheeff Auditorium. Some highlights include the following. “First Under Heaven: Korean Celadon” is the title of a talk by Xiaojin Wu, Curator of Japanese and Korean Art on Feb. 17, 2016. March 16 is “A Special Evening With SAM’s Newest Curator” which introduces Foong Ping, the Foster Foundation Curator of Chinese Art. Tickets are $7 per talk with a series pass at $49. Available to museum members only but members may purchase tickets for their guests at $10 per lecture. Get tickets online at visitsam.org/tickets or by phone or in person at either SAM or the Asian Art Museum. 1300 First Ave. (206) 654-3210 or go to www.seattleartmuseum.org.
The work of Stephanie Pui-Mun Law is included in a group show “Arboral Dreams: The Tree in Art” Feb. 13 – March 5. Krab Jab Studio at 5628 Airport Way S. Suite 150 or go to krabjabstudio.com.
“Project 562” is a series by Matika Wilbur that looks to document the lives of Native Americans today. Through June 11. The Hibulb Cultural Center and Natural History Preserve at 6410 23rd Ave. NE in Tulalip. 360-716-2600 or go to hibulbculturalcenter.org.
The Yakima Valley Museum has the current exhibit, “Land of Joy and Sorrow – Japanese Pioneers of the Yakima Valley” up until 2018. It tells the history of Japanese families who created a community there before the war. Only 10% of families returned to re-settle there after the war. 2105 Teton Dr. (509) 248-0741. In related news, a softball from this collection that saw play at Heart Mountain internment camp and owned by George Hirahara has been given to the Smithsonian and was on display in the incarceration section of the exhibit, “The Price of Freedom – Americans at War”. (As reported in the North American Post.) In other news, Hirahara’s Oregon photographs of the Japanese American post-WWII experience in the Pacific Northwest are now available online at Densho. To see his documentation of Nikkei Oregon life in “New Partner Collection: Frank C. Hirahara Photographs From The Oregon Nikkei Endowment”, go to http://www.densho.org/new-partner-collection-frank-c-hirahara-photographs-from-the-oregon-nikkei-endowment/. Also a profile of the Washington State University Hirahara Collection of photos from Heart Mountain is now featured on the Japanese American History Not For Sale Facebook Page by going to https://www.facebook.com/japaneseamericanhistorynotforsale.
Seattle ceramic artist Akio Takamori and Lead Pencil Studio (Annie Han & Daniel Milhayo) were both recipients of the Contemporary Northwest Art Awards given by the Portland Art Museum which will give all winners a group show which has been re-scheduled to run from Feb. 13 – May 8 in 2016. The extension will allow some artists to do brand-new work site-specific to the PAM space. “Anish Kapoor – Prints from the Collection of Jordan Schnitzer” remains on view until Oct. 25, 2015. The Portland Art Museum is at 1219 SW Park Ave. Go to www.portlandartmuseum.org for details.
The Jordan Schnitzer Museum of Art located on the University of Oregon campus in Eugene has the following – Opening Oct. 3 and remaining on view until Jan. 3, 2016 is “Expanding Frontiers – The Wadsworth Collection of Post War Japanese Prints”. Remaining on view until July 24, 2016 is “‘True’ Korean Landscapes & Virtuous Scholars” and “Benevolence & Loyalty: Filial Piety in Chinese Art” up until July 31, 2016. 1430 Johnson Lane. (541) 346-3027.
Korean installation artist Anicka Yi, currently based in New York will do a presentation on her work in the “Critical Issues in Contemporary Art Practice Art Lecture Series” at Henry Art Gallery on Feb. 11 at 7pm. Free but registration required. 15th Ave. NE and NE 41st St. On the UW Seattle campus. 206-543-2280 or go to henryart.org.
New and recent shows /activities at the Wing include the following – “New Years All Year Round” opens on Sat., Jan. 16. See how the New Year is celebrated in Japanese, Vietnamese, and Hmong cultures in this interactive and kid-friendly exhibit. Opening March 3 from 6 – 8pm is “Seeds of Change, Roots of Power: The Danny Woo Community Garden”, an exhibit that celebarates this neighborhood resource which preserves culture, tradition and identity. Free. Light refreshments provided and speaking program to follow. “Tatau/Tattoo: Embodying Resistance. Explores the practices and cultural significance of tattoos, highlighting the unique perspectives of the South Pacific communities in the Pacific Northwest. “Khmer American: Naga Sheds Its Skin”. War has had a huge impact on Khmer culture and identity. Despite these challenges, the community continues to shape the US and Cambodia. “Tales of Tails: Animals in Children’s Books is a recent show to open at the museum. “CONSTRUCT/S” is a group show that presents a diverse group of six international, national and local female artists who will transform The Wing’s art gallery into a multi-sensory, interactive exploration of identity, subjectivity, history, culture and gender. It is curated by Dr. Stacey Uradomo-Barre. It remains on view through April 17th, 2016. Artists include the following – Terry Acebo Davis from California recreates her mother’s bedroom drawing upon the fact that she is suffering from dementia. This room is a place she yearns to return to and the piece deals with a fragmented narrative of memory, loss, identity, and Filipino American culture. Kaili Chun from Hawai’I has an interactive installation of man-made steel bars that unlock to grapple with issues of subjectivity and community and reflect the continuous socio-political negotiation of Native Hawaiians with the mainstream society. Yong Soon Min from California, after a career exploring Korean American Identity and colonialism now examines her own personal struggle of pain and trauma as she tries to recover from a cerebral hemorrhage that affected her ability to form language and memories. Min has shown previously in Seattle with temporary art installations. Tamiko Thiel (Germany) & Midori Kono Thiel (Seattle) present a mother-daughter collaboration combining traditional calligraphy with mobile technology. Their augmented reality installation virtually links art and culture with physical landmarks significant to the local Japanese American community. Lynne Yamamoto from Massachusetts went to Evergreen College in Olympia as a student. She has shown here previously with an installation at Suyama Space and a show at Greg Kucera Gallery. Her new piece here was inspired by the early 20th century tent houses of Japanese immigrant farmers. This work interweaves family memories and community history, evoking the migratory nature of the Japanese American farming community. She also has a public art commission at the Seattle Public Library planned as well. A catalog for this show is available. The Young Family Collection of Qing Dynasty robes opened Jan. 15th . “Who Gets To Belong?” is an exhibit that looks at the Immigration Act of 1965 that lifted the quotas for Asian Pacific Islander immigration. This exhibit which opened March 5th will look at the cultural and political climate that pushed for this act. It closes on Sun., Feb. 14. “Do You Know Bruce?” is a major new show on the personal, intimate story of martial arts artist and film star Bruce Lee and the significance of Seattle in his life. Opens Oct. 4th with the full support of the Lee Family. The Wing is the only museum in the world, outside of Hong Kong, to present an exhibition about Bruce Lee’s life. The Lee family has plans to eventually open a permanent museum on Bruce Lee’s life and legacy in the Chinatown-ID neighborhood. Year 2 of the exhibition opens Oct. 3rd, 2015 and digs deeper into the significance of Bruce Lee and his impact in media during a time of racial stereotypes and barriers. Includes text panels by national blogger Phil Yu (aka Angry Asian Man) plus Green Hornet toys, personal letters, behind-the-scenes photos from the sets of “Way of the Dragon” and “Enter the Dragon”, hand-written film notes, rare photos inside his early Chinatown studio and much much more. A new set of Bruce Lee’s Chinatown Tours begin Oct. 6th. YouthCAN is a teen arts group at the Wing and their new exhibit entitled “Imprint: Identity through Art” done under the guidance of teaching artist Raj Makker is up for all to see until March 25, 2016. Author RT Akutagawa reads from “Mirage in the Desert”, a coming-of-age story of a young girl and an escape plan from a Japanese American internment camp during WWII. Q & A and booksigning to follow. Free. This event takes place on Thurs., Jan. 7 from 6 – 8pm. There will be a live streamed creative forum featuring “The Artists of Change: Conversations with the Ford Fellows” on Fri., Jan. 15 at 10:30am This day-long creative forum connects you with creative visionaries such as plywright David Henry Hwang sharing their work and sparking lively conversation. Streamed live from New York. Free with museum admission. “Winter Bash In White” takes place on Sat., Jan. 23 from 6:30 – 10:30pm. Dance the night away with live music provided by Deems & side B and dance lessions from Crash Dancers. Kick off the new year with music, dancing, food, drinks and community. Those who attend are suggested to wear all white. Registration is required. $50 general and $30 for members. Tickets at the door will be $10 more.“Toddler Story Time activities on Thurs., Jan. 7 at 11am will be from the book, “The Snow Day” as a young rabbit and his mom enjoy the magic of a snowy day. On Thurs., Feb. 4 at 11am, kids will hear from the book entitled “Year of the Monkey?”. Thurs., March 3 at 11am brings the book “Red Knit Cap Gril” which follows her and her forest friends on a journey. All activities are free with fun art activity to follow. Celebrate the new year at the Wing with a Lunar New Year Festival set for Sat., Feb. 6. At 11am a lion dance will bless the wing followed by a day of activities for the whole family. The New Year Fair starts at 11:30am until 5pm with a screening of the film, “The Monkey King”, art workshops, face painting, a zodiac stuffed petting zoo, scavenger hunt and raffle prizes. All activities are free but admission is required to enter. Childrens and students with ID are free. Sponsored by The National Committee on IUnited States-China Relations. Save the date of Sat., March 26 for The Wing’s Dinner & Auction at the Westin Seattle. For more information on this annual event, go to wingluke.org/2016auction or call 206-623-5124 ext 105. “The International Dempling Crawl” is back by popular demand. Try a variety of the neighborhood’s delicious dumplings. Starts Jan. 23 (every last two Saturdays of the month) until March. Go to wingluke.org/tours for details. The museum is offering two week-long Landmarks of American History & Culture workshops that focus on the hidden histories of Asian Pacific pioneers, from the early 1800s to WWII. Session 1 is July 17 – 23. Session 2 is July 31 – August 6. Application deadline is March 1, 2016. These 2016 NEH Workshops are for K – 12 School Teachers. For details, go to email@example.com or try http://wingluke.org/teachers-institute. The Museum is located at 719 South King St. (206) 623-5124 or visit www.wingluke.org. Closed Mondays. Tuesday – Sunday from 10am – 5pm. First Thursday of each month is free from 10am – 8pm. Third Saturday of each month is free from 10am – 8pm.
“Voices of Nisei Veterans – Permanent Exhibition and Collections” is composed of rare collections preserved by the Nisei Veterans Committee and tells the story of Japanese American veterans before, during and after WW II. Access is by pre-arranged tour only. For reservations or information, email firstname.lastname@example.org or email@example.com. Jointly sponsored by the NVC Memorial Hall and The Wing. 1212 South King St.
“Pacific Voices” is an ongoing exhibit that celebrates the language, teachings, art, and cultural ceremonies of seventeen cultures from the Pacific Rim. Burke Museum at the University of Washington. 17th Ave. NE & E 45th Streets. (206) 543-5590 or try Washington.edu/burkemuseum.
Currently on view at Seattle Asian Art Museum in Volunteer Park – First Free Saturday family activity takes place from 11am – 2pm. “Paradox Of Place: Contemporary Korean Art” is a new show set for Oct. 31, 2015 – March 13, 2016 at the Tateuchi Galleries. This is the first major exhibition of Korean contemporary art in over a decade in Seattle. This show was put together in collaboration with Ms. Choi Eunju, former chief curator of the National Museum of Modern and Contemporary Art Korea. Six leading-edge Korean contemporary artists’ representative works will be in this show. Works range from mix-media, installation, video art, to photography, all of which are prominent forms in Korean contemporary art. Co-organized by the Seattle Art Museum and National Museum of Modern and Contemporary Art, Korea with generous support from the Korea Foundation. “Saturday University” is a series of talks on art and ideas at Seattle Asian Art Museum every morning at 9:30am $10 admission. . The series includes the following –Yasufumi Nakamori, associate Curator of Photography at the Museum of Fine Arts, Houston will talk about the show he curated for that museum entitled “Experiments in Japanese Art & Photos, 1968-79” on Nov. 21. The Winter Saturday University Series will address topics under the theme of “Sites of Meaning: Cultural Heritage Preservation in Asia.” The opening lecture will be on Sat. Jan. 23rd at 9:30am and Stefan Simon, Director of the Yale University Institute for Cultural Heritage will kick it off. For complete information on all events, go to seattleartmuseum.org. Also perhaps you’ve heard of the LEGO company’s refusal to sell Chinese contemporary artist Ai Weiwei any legos (tiny toy bricks) due to the political nature of his work as they wish to remain non-political. Now donation sites have popped up all over the world. To show your support for Ai Weiwei’s work, there is a secondhand BMW parked in front of the Asian Art Museum until Jan. 10, 2016. If you wish to donate your legos for the cause of art and free expression, drop them through the sunroof of the car during museum hours. All legos collected at donation sights around the world go to the artist.
Tacoma Art Museum has opened a new wing to accommodate the gift of a new collection. “ART OF THE AMERICAN WEST: The Haub Family Collection at Tacoma Art Museum just opened. Included in the present show is work by contemporary Chinese American artist Mian Situ. He creates epic paintings in the European tradition but inserts Chinese American immigrants as protagonists in scenes in which they’ve previously been missing. The photography of Seattle photographer Chao-Chen Yang is included in a group show entitled “Northwest in the West: Exploring Our Roots”. This show explores the distinct identity of Northwest art and how it has adopted, adapted and reacted against its western roots. A theme particularly apt and timely since the museum is building a new wing to house their new collection of Western art. Both shows through the fall of 2015. “Art AIDS America” is a groundbreaking exhibition that underscores the deep and unforgettable presence of HIV in American art from the 1980’s to the present. The late Martin Wong has work in this show. Co-curated by TAM Chief Curator Rock Hushka and Dr. Jonathan Katz who directs the Visual Studies Doctoral Program at the University of Buffalo. On view through Jan. 10th, 2016.Tacoma Art Museum is at 1701 Pacific Ave. (253) 272-4258 or go to TacomaArtMuseum.org.
Oregon Nikkei Legacy Center in Portland has “Oregon Nikkei: Reflections of an American Community” a show that celebrates the lives and contributions of Oregon’s Nikkei community, and evokes memories of shared experiences – from early settlement through the trials and tribulations of WWII and into the 21st century. On view through Jan. 17, 2016 is “Gambatte! Legacy of an Enduring Spirit”.Open Tu. – Sat. 11am – 3pm and Sundays, noon – 3pm. 121 NW 2nd Ave. (503) 224-1458 or email firstname.lastname@example.org.
“Meet Me at Higo” permanent exhibit- Part Two” presented and sponsored by the Wing is a multi-media presentation and self-guided tour that tells the origins and history of the store as a Japanese American five and dime. At Kobo at Higo, 604 South Jackson. E-mail email@example.com or call (206) 381-3000.
The Art History Lecture Series with Rebecca Albiani for the upcoming year includes a series of talks on “Netsuke: Miniature Masterpieces of Japanese Sculpture” set for Jan. 14th at 11am and 7pm and Jan. 15th at 11am. The talk is repeated three times. To register, call (206) 432-8200.
Opening Dec. 11 and remaining on view until Jan. 24, 2016 is a survey of the work of South Korean contemporary artist Kim Beon. His conceptually driven videos, installations and drawings brim over with a warm sense of humor. Vancouver Art Gallery at 750 Hornby St. in Vancouver BC, Canada. (604) 662-4719 or go to vanartgallery.bc.ca.
The Asian Art Museum of San Francisco has the following shows –On view from Oct. 30 – Feb. 7, 2016 will be “Looking East, How Japan Inspired Monet, Van Gogh And Other Western Artists”, a show created by Museum of Fine Arts, Boston. 200 Larkin St. (415) 581-3500.
“New Stories from the Edge of Asia: Tabaimo” marks the first solo museum exhibition of this amazing Japanese artist who uses alluring large-scale surreal animations that combine everyday objects and experiences. Opens Feb. 5, 2016 at the San Jose Museum of Art. 110 South Market St. (408) 271-6840. Not to miss!
The Japanese American National Museum has the following current and upcoming exhibitions. Ongoing is “Common Ground: The Heart of Community” is a historical group show that incorporates hundreds of objects, documents and photographs collected by the Museum on over 130 years of Japanese American history. On view until Jan. 24, 2016 is “Giant Robot Biennale 4” an annual show showcasing the diverse creative works brought together between the pages of that popular zine which is a staple of alternative Asian American pop culture. Looking further down the road is an important photography show entitled “Making Waves: Japanese American Photography, 1920 – 1940” tentatively set for Feb. 28 – June 26 of 2016 and curated by Southern California photography historian Dennis Reed who has curated a previous excellent show of the Japanese Camera Club of Los Angeles. 100 North Central Ave. (213) 625-0414.
The Los Angeles County Museum of Art has the following shows. “Living for The Moment: Japanese Prints from the Barbara S. Bowman Collection” opens Oct. 4 and remains on view until Jan. 16, 2016. 5905 Wilshire Blvd. (323) 857-6010.
The Skirball Cultural Center in association with the Japanese American National Museum presents “Manzanar: The Wartime Photographs of Ansel Adams” from Oct. 8 – Feb. 21, 2016. In addition to Adam’s work, the exhibition includes other photographs, documents, publications, artifacts, and works of art that detail life and conditions at Manzanar and offer personal narratives of the experience. A range of propaganda posters, films, pamplets, and magazines portray the anger, prejudice, and overt racism fo the times. Additional material comes from Adam’s contemporaries, Dorothea Lange and Toyo Miyatake. But what is the cherry on top of the sundae (at least for me) is the inclusion of “Citizen 13660: The Art of Mine Okubo”. Her work cuts to the quick and gives a very honest and personal portrayal of how life was in the camps as lived by the inmates. 2701 N. Sepulveda Blvd. in Los Angeles. Free on-site parking. (310) 440-4500.
In related news, the Mine Okubo Collection at the Riverside City College is believed to be the most extensive repository of Mine Okubo’s papers and art work in a single location. This is a virtual treasure trove for people interested in the work of this important American artist. To see the collection, call the Director of the Center for Social Justice at (951) 222-8846. Additional material on the artist can be found at the Japanese American National Museum, the Archives of American Art, Smithsonian Institution and University of California at Riverside.
“Ishiuchi Miyako: Post War Shadows” is a retrospective of this self-taught photographer who emerged out of the shadows of WW II in a mostly male generation of Japanese photographers. Her work offered a different perspective on the Japan she knew, the hometown port city of Yokosuka. Later work would fuse both the personal and political as she did work on Hiroshima/Nagasaki, Frida Kahlo’s clothing and the map of the skin found on different torsos. On view until Feb. 21, 2016. “The Younger Generation: Contemporary Japanese Photography” is a complimentary group show of young women photographers that have surfaced in the 1990’s influenced by Ishiuchi’s work. They include Kawauchi Rinko, Onodera Yuki, Otsuka Chino, Sawada Tomoko and Shiga Lieko. This show has identical exhibition dates as Ishiuchi’s show. J. Paul Getty Museum. 1200 Getty Center Dr. (310) 440-7330.
“Asian Art at 100: A History in Photographs” is a survey of the Met’s Asian galleries photographed from 1907 – 19 45. Through May 22, 2016. “Celebrating The Arts of Japan: The Mary Griggs Burke Collection”. Over 300 items from what many consider the best Japanese art collection outside of Japan are on view through July 31, 2016. 1000 – 5th Ave. (212) 535-7710 or go to www.metmuseum.org.
“Japanese Kogei/ Future Forward”. Twelve different artists show different changing approaches to Japanese “handcrafts” – especially in the area of ceramics. Oct. 20 – Feb. 7, 2016. Museum of Arts and Design in New York. 2 Columbus Circle. (212) 299-7777 or firstname.lastname@example.org.
Some upcoming shows at the Museum of Fine Arts, Boston include the following – “Crafted Objects in Flux” is a group show that look at artists who “simultaneously blur and expand craft’s landscape.” Seattle artist Etsuko Ichikawa is included in this show and she has plans to do a live performance sometime during the run of the show. On view through January 10th, 2016. “Made in the Americas: The New World Discovers Asia” is a new exhibition that proves that the Asian influence on the West is not a recent phenomenon. It examines these influences across continents as early as the late 16th/ early 17th century. On view through Feb. 15, 2016. 465 Huntington Ave. in Boston. (617) 267-9300.
“Reopening Of The Renwick Gallery”. The first building in the nation designed specifically as an art museum officially reopens after a two year renovation with “Wonder” in which nine contemporary artists were invited to create room-size installations inspired by the building itself. Maya Lin is one of them. Opens Nov. 13 and remains on view until July 10, 2016. The Smithsonian American Art Museum and the Renwick Gallery are along the museum mall in Washington, D.C.
Coming in 2016 is “Kamakura: Realism And Spirituality In The Sculpture Of Japan” More than 40 sculptures which show the relationship between realism and sacred use of the objects. The Kamakura era is often regarded as a period similar to the Renaissance in Europe. Feb. 9 through May 8, 2016. Asia Society Museum at 725 Park Ave. in New York City. Go to AsiaSociety.org/museum for details.
In March of 2016, the Metropolitan Museum of Art will take over the building designed by Marcel Breuer that was once the Whitney Museum. A retrospective of the Indian modernist painter Nasreen Mohamedi (1937-1990) will be one of three opening exhibits in this building. The Met’s current artist-in-residence, jazz composter/pianist Vjay Iyer will do a number of appearances as well. The building will now be known as the Met Breuer. Madison Ave. and 75th St. in New York or go to metmuseum.org for details.
The first U.S. survey of the work of Chinese contemporary artist Zhang Hongtu comes to the Queens Museum of art. The artist left China in 1982 and settled in Queens. Through Feb. 28, 2016. Email email@example.com for details.
“Sotatsu – Making Waves” is a major show of that Edo-period, 17th century Japanese screen painter taking place at the Smithsonian’s Sackler Gallery this fall from Oct. 24th – Jan. 31st, 2016. Over 70 pieces of work from American, European and Japanese collections including work by later artists influenced by Sotatsu. 1050 Independence Ave. SW in Washington DC. (202) 633-1000.
“Martin Wong: Human Instamatic” covers the full trajectory of this Chinese American painter from his Bay Area roots to his pivotal role in documenting the multicultural environs of the Lower East Side of New York. On view through Feb. 12, 2016. “Transitions: New Photography From Bangladesh” is on view Oct. 15 – Feb.. 14, 2016. Bronx Museum of the Arts in Bronx, New York. 1040 Grand Concourse. (718) 681-6000. The West Coast site for the traveling exhibition of Martin Wong will be Sept. – Dec. 2017 at the Berkeley Art Museum and Pacific Film Archive in their new location on Center St.
Although the late Japanese artist Onichi Koshiro never traveled West, his work bore innovations from European modernism that surface in his mastery of the traditional Japanese art tradition. The National Museum of Modern Art in Tokyo gives him the first retrospective of his work in twenty years and includes oil paintings, photographs, drawings, printmaking and book design. Jan. 13 – Feb. 28, 2016.
Korean modern sculptor/installation artist Do Ho Suh (his work is in Seattle Art Museum’s permanent collection) has a show of his translucent “fabric buildings” at the Contemporary Arts Center in Cincinnati, Ohio. Feb. 12 – Sept. 11, 2016.
Wendy Maruyama’s “wildlife Project” is now on view through Jan. 3, 2016 at the Houston Center For Contemporary Craft. The show illustrates the plight of the elephant and the illegal ivory trade. The artist has traveled to Africa and studied the problem, meeting with officials. Her new constructions come from her thoughts on this issue of world crisis. 4848 Main St. (713) 529-4848 or go to www.crafthouston.org. Expect to see this show hit the West Coast in 2017 from Feb. – May at the San Francisco Museum of Craft And Design.
“Harajuku – Tokyo Street Fashion” looks at Harajuku’s current trends and wide influence around the world. Opens Nov. 19 and remains on view through April 3, 2016. Honolulu Museum of Art at 900 Beretania St. Go to www.honolulumuseum.org for details.
The November/December issue of ArtAsia Pacific looks at the work of Li Shan, a member of China’s legendary No Name Painting Society and three leading female artists from Bangladesh. Also profiled is Tibetan artist Tsherin Sherpa and Eugen Tan, founding director of National Gallery Singapore. Go to firstname.lastname@example.org for details.
The Smithsonian Institution’s National Portrait Gallery in Washington, D.C. will honor architect/artist Maya Lin for her achievements in the arts at the inaugural American Portrait Gala in November. She has completed her largest commission to date, a campus in Cambridge, Mass., for the pharmaceutical company, Novartis. It opens in December. Its exterior looks like a modern version of a New England stonewall. A new room installation entitled “Folding the Chesapeake” opens at the Renwick Gallery in Washington, D.C. A new book on her art and architecture has just been published by Skira/Rizzoli. Two ongoing projects dealing with the environment that she’s working on are “What is Missing?”, a multisite, multimedia work that focuses on a crisis of biodiversity and “Confluence” which are six outdoor installations that enable viewers to see wildlife from a different perspective.
Noted Thai filmmaker Apichatpong Weerasethakul (“Uncle Boonmee Who Can Recall His Past Lives”) has over the past dozen years has had a parallel career with his video installations which intersect with his thematic material in his films. A new installation work entitles “Fireworks (Archives)” was originally commissioned by Kurimanzutto Gallery in Mexico City was recently part of “Wavelengths”, the experimental program at the Toronto International Film Festival. The viewer is led through a surreal sculpture garden lit by flashes. A sonic soundtrack of crackles, explosions and the sound of gunfire fill the air. The installation has connections with his new film “Cemetery of Splendor” which had its debut at Toronto as well. Both mirror his obsession with and exploration of Thailand’s Northeast, a marginalized area that provided a home to communist and rebel insurgents and the scene of some of the country’s most violent military battles and occupation.
The Chinese artist Ai Wei Wei reports that Danish toymaker Lego has refused his studio’s request for a bulk order of plastic toys on political grounds. The company says it “cannot approve the use of Legos for political works.” The work was for an exhibition planned with the work of Andy Warhol in Australia. An earlier work entitled “Trace” that was shown on Alcatraz Island had pixelated images of more than 175 prisoners of conscience. Coincidentally the company has expanded its presence in China, investing ina new manufacturing facility in Jiaxing. Upon the artist’s announcement of his refusal by Lego however, dozens of his fans offered their legos for his use online.
The Whitney Museum of American Art announced that it has appointed two of their own curators to curate the 2017 Whitney Biennial. Previous editions of the biennial have been met with controversy and criticism. Christopher Y. Lew is an assistant curator at the Whitney. Mia Locks will join Lew in selecting artists. This marks one of the first times that both curators are Asian American.
Part 5 of “The Treasures of Kansong: Preserving National Identity Through Culture” displays HwaHoeYoungMo, Korea’s unique genre of plant and animal paintings. In ancient times, this genre was as popular as landscape and portrait paintings. On view through March 27, 2016. Dongdaemiun Design Plaza in Seoul. Located near Dongdaemiun Culture Park Station at Exit 1.
Rui Sasaki is a Japanese artist and educators working mainly in transparent materials. She works at Toyama City Institute of Glass Art. This summer from July 5 – 22, she will be teaching at Pilchuck a class in glassblowing entitled “Wonder bubbles”. Exploring the infinite possibilities that glass presents, students will find their own paths of expression. For this and other classes, you can apply online at pilchuck.com.
Susie Lingham, the Director of the Singapore Art Museum will step down in March, 2016. Dr. Lingham is leaving SAM in order “to pursue personal projects.” She may continue to be involved with the Singapore Biennale in which she has played an integral part of in the past.
It’s a huge loss for the art world to hear that modern Indian installation artist Hema Upadhyay was murdered. Her acute understanding of gentrification and how that played a part in snuffing out the energy of shantytowns that contributed so much to the life and culture of a city as mirrored in her installation work will be sorely missed. Coming from a rural background herself, she gradually adapted herself to the metropolis and grew to love the chaos and energy it projected. As she stated more than once, this new urban environment fueled the perspective she brought to her own work. “So much chaos in my work actually comes from the city. When I work in my studio in Mumbai, there are lots of elements, of decay, of life, of chaos. It’s a double-edged condition when you see development in the making – you see growth but (also) decay, you see modern skyscrapers but (also) the mushrooming of slums.” At the time of her death, she was working on new work that will debut in April at the Museum of Fine Arts, Boston in the exhibition “Megacities Asia.” – excerpted from ArtAsiaPacific newsletter.
Ceramic artist and recently hired UW instructor of ceramics, Ayumi Horie has been named a USA Fellow by United States Awards based in Chicago. Only 37 were selected from over 400 nominees. Horie received an unrestricted $50,000 award.
ReAct Theatre brings back their first box office smash of Craig Lucas’s romantic comedy, “Prelude to a Kiss” for their 15th anniversary. Jan. 8 – 31 at West of Lenin performance space in Fremont. Directed by ReAct Theatre Director David Hsieh. Cast includes William Poole, Ai Nguyen, Tee Dennard and many other ReAct regulars. 203 N. 36th St. Early bird tickets available via Brown Paper Tickets. You can reach the theatre at 206-364-3283 or email email@example.com.
The 2nd Annual Bellevue World Taiko Festival takes place on Sat., Jan. 16 at Meydenbauer Theater in Bellevue. Main guest performers from Japan include Akira Katogi, Shunsuke Kimura, Etsuro Ono and Wakiri. School of Taiko’s Ringtaro Tateishi, his wife Asako Tateishi and their son Sohshun also form the group Chikiri and they will also perform. The concert also includes the “Drum Line” from Newport High School and other special guests. Matinee starts at 1:30pm and evening program starts at 6:30pm. Tickets available through Brown Paper Tickets and The School of Taiko. Go to www.WorldTaikoFestival.org for complete details. Wakiri will also be giving a free lecture/demonstration for the Bellevue College community on Fri., Jan. 15. Everyone is welcome. For details on this group, go to http://www.wariki.jp/eg/aboutwariki.html. For details on the free event at Bellevue College, go to http://www.bellevuecollege.edu/fyi/2015/11/30/guest-performers-of-japanese-music-dance-from-japan.
ON The Boards has another exciting season of performance art in all genres. Tanya Tagaq is an amazing Inuit throat singer who digs into past, present and future with a flexible, powerful voice that will have you on your feet as she blends native tradition with electronica, industrial and metal influences to tear apart the walls of the silent movie, “Nanook of the North” projected behind her as she sings. One night only on April 6, 2016. 100 Roy St. (206) 217-9888.
Here’s a sneak peek at some of the programs Seattle Symphony has to offer under the baton of Music Director Ludovic Morlot later this year going into 2016. Want comedy with your music? The duo of Ingudesman & Joo return to Seattle after their success in 2012 at Benaroya with an all new show that mixes laughs with classical music and popular culture on March 3rd at 7:30pm.If you want a preview of the music the Symphony will be playing on their upcoming tour of Asia, check out the Ravel Piano Concerto as performed with Jean-Yves Thibaudet on piano along with music by Faure and Dvorak on June 5th.
Seattle Opera has announced their 2015/16 season under new General Director Aidan Lang. Director Lang returns to stage directing Mozart’s “The Marriage of Figaro”. Chinese-born bass-baritone Shenyang makes his Seattle Opera debut as Figaro. Jan. 16 – 30. McCaw Hall at Seattle Center at 321 Mercer St. (206) 389-7676 or try 1-800-426-1619 or go to firstname.lastname@example.org.
Winter got you down? Come down to the beach and sunshine and catch Hawaiian slack-key guitarists Keola Beamer & Henry Kapono on Jan. 21 at The Triple Door. 216 Union St. in downtown Seattle. 206-838-4333.
Tea ceremony demonstrations continue at Seattle Art Museum downtown every Third Thursday at 5:30pm and every Third Sunday at 2:10pm. Free with admission.
The UW World Series season for 2015/2016 has some extraordinary performances booked from around the world at their UW Seattle Meany Hall location. The Chamber Music Society of Lincoln Center consisting of CMS Co-Artistic Director and Pianist Wu Han and violinists Sean lee and Benjamin Bellman take solo turns in music by Mozart, Schubert and Mendelssohn. One night only on March 19th, 2016 at 7:30pm. The Daedalus Quartet plays Friday, April 29th, 2016 at 7:30pm with work by Beethoven and the world premiere of a new work by UW Music composer Huck Hodge. In the “Special Events” category, the Peking Acrobats and sitarist Anoushka Shankar make appearances. Peking Acrobats come to perform their daring balance maneuvers with live musicians playing traditional Chinese instruments on Sat., Jan. 23, 2016 at 3pm and 7:30pm. Anoushka Shankar, the daughter of the late virtuoso sitar master, Ravi Shankar brings her own genre-defying mix to the instrument with Indian music, electronica, jazz, flamenco and Western classical music all playing a part. She performs on Sat., April 9th, 2016 at 8pm. (206) 543-4880 or go to uwworldseries.org or get tickets in-Person at 1313 NE 4lst St. Ticket
Trumpet player/composer and UW Jazz Professor Cuong Vu remains active locally performing in various concerts on the Seattle UW campus. He will be part of the Bill Frisell and Michael Gibbs concert with the UW Symphony and Jazz Studies Faculty on Jan. 14 & 15 at Meany Theater 7:30pm. He also joins UW faculty member Melia Watras in a concert of “Schumann Resonances” along with Winston Choi on piano, Matthew Kocmieroski on percussion and Michael Jinsoo Lim on violin on Jan. 26 at Meany Theater at 7:30pm. New works by Richard Karpen, Vu and Watras will also receive their world premieres. (206) 543-4880 for tickets.
Pacific Northwest Ballet Concertmaster Michael Jinsoo Lim participates in a UW Faculty Chamber Music Concert on March 6 at 7:30pm at Meany Theater on the Seattle UW campus. (206) 543-4880 for tickets.
As part of Seattle Rep’s 2015/2016 new season, Pulitzer Prize winning playwright Ayad Akhtar’s “Disgraced” will be performed Jan. 8th – 31st. The story is about a Pakistani-born successful New York lawyer whose life is turned upside-down when his Muslim heritage is questioned. 155 Mercer St. (206) 443-2222 for tickets.
Rupa & The April Fishes, popular Bay Area folk/world music group opens for singer/songwriter Ani Difranco on tour. Comes to the Neptune Theatre on Sun., March 6. 8pm show. All ages. Vietnamese American singer/songwriter Thao Nguyen and her Get Down Stay Down band play on Sat., March 26. 1303 N. 45th St. Tickets at tickets.com or charge by phone at 1-800-225-2777. Tickets also at Paramount Theater Box Office downtown. Co-produced with True West.
“The Frye Art Museum Guitar Series” presents Connie Sheu on Sat., April 16, 2016. Sheu teaches at Pasadena Conservatory of Music. She specializes in performing original music for guitar by female composers.
“Caught”, a play by Christopher Chen gets a production by Seattle Public Theater as part of their 2015-16 Mainstage Season. It runs May 20th – June 12th, 2016 with a preview on May 19th. The play is a mind-bending satire about truth, art, and deception. When an art gallery hosts a retrospective of the work of a legendary Chinese dissident artist, the artist himself appears and shares with patrons the details of his ordeal that explores truth, art, social justice and cultural appropriation.7312 W. Green Lake Drive N. Go to www.seattlepublictheater.org for details.
“Ethnomusicology Visiting Artists Concert: Ade Suparman; Sudanese Music of Indonesia” takes place on June 2, 2016 at 7:30pm at Meany Hall on the Seattle UW campus. Go to www.music.washington.edu or call Arts UW Ticket Office at (206) 543-4880.
UW Music Librarian Judy Tsou has been appointed to a five-year term on the National Recording Preservation Board of the Library of Congress in Washington, D.C. The NPRB includes representatives from professional organizations and expert individuals concerned with the preservation of recorded sound. In addition to her career as a librarian, Tsou is also a musicologist and serves as affiliate professor in the UW’s Music History program. Under her leadership, the Music Library has made great strides toward keeping pace with technological advances in the preservation of its audio holdings.
Film & Media
Ip Man was the first person to teach the Chinese martial art of Wing Chun and Bruce Lee’s teacher. Opening on Jan. 22 is Ip Man 3, third in the series starring Donnie Yen as Man. Directed by Wilson Yip, this new feature has Man taking on a corrupt landowner played by Mike Tyson who wants to take over the city. Danny Chan stars as a young Bruce Lee wishing to study with Man. My guess is that this film will probably open downtown either at Pacific Place or the Regal.
Two Chinese films now playing at AMC Pacific Place II downtown include the following – “Mr. Six” tells the tale of a notorious aging hoodlum who discovers his estranged son has been kidnapped and must take on a new generation of punks to win his freedom. “Mojin – The Lost Legend” is an epic fantasy about legendary grave robbers brought back from civilian retirement in New York for one last caper. 600 Pine St.
The Seattle Children’s Film Festival returns Jan. 22 – Feb. 7 to the Northwest Film Forum with more than 130 films from over 30 countries including Indonesia and Afghanistan. A special feature is a series of films by indigenous filmmakers. 1515 – 12th Ave. 206-829-7863.
A pair of contemporary Japanese films come to the Grand Illusion Cinema. “The World of Kanako” by Tetsuya Nakashima is an uncompromising revenge thriller of operatic scope. It follows a detective on the hunt for his missing teenage daughter. Stars Koji Yokusho as the detective. Screens Jan. 22 – 28. Tatsuyuki Nagai’s “Anthem of The Heart” is a feature-length animated feature about a girl secluded from society who blossoms when she returns and stars in the school play. Jan. 22 – 24. 4739 University Way N.E. 206-523-3935.
“Silver Screen Buddhas” is the title of a contemporary Korean film series introduced by Sharon Suh that portrays elements of Buddhism, gender and Korean society. Ki-duk Kim’s “Spring, Summer, Fall, Winter…and Spring” screens on Sun., Jan. 24 at 3pm. Im Kwon-taek’s “Come, Come Upward” screens on Thurs., Jan. 28 at 7pm. Shown as part of the program activities to complement the exhibit, “Place of Paradox: Contemporary Korean Art” on view through March 13, 2016. Seattle Asian Art Museum on Volunteer Park on upper Capitol Hill. (206) 442-8480.
Other new films with dates not yet set for release but probably due by 2016 are the following – Jia Zhangke of all of China’s directors seems to have his pulse on a China evolving so quickly that its own people can barely keep up. “Mountains May Depart” is a dark portrait of a capitalist-era family through the decades as they struggle to survive in China and abroad. Gus Van Sant’s “The Sea of Trees” opened at Cannes and was picked up by Roadside/Lionsgate for distribution. The film stars Matthew McConaughey and Ken Watanabe who meet on Mr. Fuji bent on suicide. Japanese director Kiyoshi Kurosawa’s newest entitled “Journey to the Shore” has a piano teacher going on a second honeymoon with her missing husband who returns as a ghost. Adapted from the novel by Kazumi Yumoto Stars Eri Fukatsu and Tadanobu Asano. Due out next year is the long-awaited new project by Martin Scorsese in which he adapts Shusaku Endo’s historical novel on Christians in Japan in a period when Christianity was not allowed. A priest played by Andrew Garfield travels to Japan to confront rumors that his mentor has abandoned the church. Shot on location in Taiwan. The director remarked that “The subject matter presented by Endo was in my life since I was very, very young.” Kazuhiro Soda’s 21/2 hour documentary entitled “Oyster Factory” was a Locarno Film Festival Official Selection and takes a close look as globalization comes to a small Japanese village whose sole industry is the harvesting of oysters.
Although there are a number of Asian American animators working for Pixar studios, “Sanjay’s Superhero”, a new short by Sanjay Patel qualifies as the first film by an Asian American from Pixar. Patel says he grew up hating his parent’s Hindi culture and just wanted to fit in. While his father sat in the living room in meditation to his God, the son sat enthralled by his Gods, the TV cartoon superheroes of his youth. The film is an appreciation of his parent’s culture and his own identity. It will slow alongside the Pixar feature length film “The Good Dinosaur”.
Feature-length animation film director Isao Takahata of the famed Ghibli Studios in Tokyo has won the Winsor McCay Award for his career contribution to animation as announced by the International Animated Film Society in Hollywood. Takahata, now 80, is known as the director of such films as “Hotaru no Haka” (Grave of the Fireflies) and Kaguyahime no Monogatari” (The Tale of Princess Kaguya) which was nominated for this year’s Academy Award for Best Animated Feature.
The Written Arts
Elliott Bay Book Company presents a series of readings and events. All are at the bookstore unless noted otherwise. Acclaimed fiction writer Ru Freeman has edited an important new anthology entitled “Extraordinary Rendition: (American) Writers on Palestine” (OR Books). On Thrus., Jan. 7 at 7pm she will join fellow contributing writers Tess Gallagher, Peter Mountford and Alice Rothchild in a reading from that volume. The book is composed of the work of sixty-five writers and poets of varied backgrounds, aesthetics, experiences including many not known or recognized for writing politically-attuned work. Pivot Art & Culture, Paul Allen’s new building for science and art presents the first of an initial series of lectures, readings, exhibits and performances. Author Michael Bess and noted Seattle science fiction writer Ted Chiang discuss ‘science fiction’ in real life and in fiction here this evening. Thurs., Jan. 14 at 6pm. Free admission. Pivot Art + Culture is at 609 Westlake Ave. N. Please see www.pivotartandculture.org for details.Red Pine, an eminent translator of old Chinese poetic and spiritual texts will read from his most recent book of travels in China entitled “Finding Them Gone: Visiting China’s Ghosts of the Past” (Copper Canyon Press) on Sat., Jan. 16 at 2pm. Co-presented by Copper Canyon Press. Janice Y.K. Lee, author of the acclaimed debut novel, “The Piano Player” returns with a new novel set in Hong Kong entitled “The Expatriates” (Viking) about three different American women living in an expatriate community. The reading is set for Tues., Jan. 19 at 7pm. Seattle artist Patti Warashina known for her ceramic artwork which has been exhibited internationally will be interviewed by Gage Academy co-founder and Seattle Times art critic Gary Faigin in a talk entitled “Oh, These Women of Clay” on Thurs., Jan. 21 at 7:30pm at Town Hall Seattle. $5 tickets available at the door starting at 6:30pm or in advance via www.townhallseattle.org (1-888-377-4510)l Town Hall Seattle is at 1119 Eighth Ave. at Seneca. For details on this event, call 206-652-4255 or see www.townhallseattle.org. Co-presented with Town Hall Arts & Culture and Gage Academy Of Art. Seattle writer Sunil Yapa’s audacious first novel takes on a story set amidst the 1999 WTO protests that rocked Seattle and the world. “Your Heart is a Muscle the Size of a Fist” (Lee Boudreau Books/ Little Brown) gives you a street level look at all the action through the eyes of a chorus of voices on all sides. Sat., Jan. 30 at 7pm. Shawna Yang Ryan, author of the best-selling novel “Water Ghosts” that exhumed the Chinese immigrant history of the Sacramento delta community of Locke returns to read from a new novel set in Taiwan’s martial law era. Wed.,Feb. 24 at 7pm.Elliott Bay Book Company is at 1521 Tenth Ave. in Seattle’s Capitol Hill neighborhood. 206-624-6600.
Ralina L. Joseph, UW Professor of Ethnic Studies and Gender. Women, and Sexuality departments gives a talk entitled “What’s the Difference with ‘Difference’?’ in which she addresses the use of the word as used to speak about issues on race, gender and sexuality. Thurs., Jan. 14 at UW Kane Hall 120 on the UW Seattle campus. 7:30pm. $5 admission.
Alexander Chee reads from his new novel, “The Queen of The Night” set in Paris on Thurs., Feb. 18 at 7pm. Free. At Hugo House. 1634 – 11th Ave. on Capitol Hill. 206-322-7030.
One finds it hard to keep up with the steady stream of new titles coming out even in the limited categories of works by or about Asian Americans and new titles on Asia but here’s a recent sampling –
“Why Ghosts Appear” (Chin Music Press) is another beautifully designed thriller/mystery novel by Todd Shimoda with artwork by LJC Shimoda. In this story a fortune teller asks a detective to find her missing son.
“Roads of Oku – Journeys in the Heatland” (Far Roads) by Dennis Kawaharada traces the Hawai’i-based writer’s own personal journey in his ancestral heartland of Japan. Accounts of Hawaiian history and Japanese religion, customs, geography and archaeology fill the accounts of his travels.
Kyung-Sook Shin’s ”Please Look After Mom” was a New York Times bestseller. Now she’s back with a new novel entitled “The Girl Who Wrote Loneliness” (Pegasus Books). Korea’s industrial sweatshops of the 1970’s catapulted that South Korea into a global economy. Shin tells that story through the eyes of a young girl from the countryside working in the factories under conditions of exploitation, oppression and urbanization.
As more and more citizens flee North Korea, more and more memoirs are published telling their stories. “Stars Between The Sun And Moon – One Woman’s Life OIn North Korea And Escape To Freedom” (Norton) by Lucia Jang and Susan McClelland is the latest.
“Art Place Japan – The Echigo-Tsumari Art Triennale and the Vision to Reconnect Art and Nature” (Princeton Architectural Press) by Fram Kitagawa as translated by Amiko Matsuo and Brad Monsma tells the remarkable story of a rural farming region in Niigata that now thrives under an arts festival that combines art, ecology and community participation. Individual artists and cultural organizations from around the world come to the area every three years to transform it into a large-scale art installation. Penned by the director of this art event.
Few people know of the Indian participation in World War II and Raghu Karnad tells that personal story by uncovering stories of his family who served in “Farthest Field – An Indian Story of the Second World War” (Norton).
“The Hundred Year Flood” (Little A Books) by Matthew Salesses is a striking debut novel about a lost soul, a Korean adoptee trying to find his place in the world while living abroad in Prague.
“I Am China” (Anchor Books) by Xiaolu Guo tells the story of a Chinese rock musician, his British translator, his poet lover and how he ends up in exile in England seeking political asylum.
“Last Boat To Yokohama – The Legacy of Beate Sirota Gordon” (Three Rooms Press) by Nassrine Azimi & Michel Wasserman tells the amazing tale of a remarkable woman who secretly helped create Japan’s new constitution after WW II, writing an article that mandated equal rights for all women in Japan. This article was the work of a 22-year-old Vienna-born, naturalized American woman of Ukranian-Jewish descent who had grown up in Japan.
“The Investigation” (Pegasus Books) is a novel by J. M. Lee translated by Chi-Young Kim that tells the story of Japan’s wartime history, inspired by the real-life case of jailed dissident Korean poet Yun Dong-Ju.
“The Incarnations” (Touchstone) is a new novel by Susan Barker that traces the existence of a Beijing cabbie during the summer Olympics who keeps finding letters from a stranger in his cab that takes him on a journey through Chinese history from the Ming dynasty to the Opium War and the Cultural Revolution. Forgotten characters of his country’s history and folklore float before his eyes. Barker had a British father and Chinese Malaysian mother. She lived in Beijing during the country’s preparation for the Olympics.
Adrian Tomine has been telling stories in his comic format since he was a teenager with the ‘zine, “Optic Nerve”. Of late his work has been featured prominently in the New Yorker. His latest book entitled “Killing And Dying” (Drawn & Quarterly) with no great fanfare simply zeroes in on the hole of the American heart and dwells there with incisive, stark portrayals of different Americans just trying to get through their lives day by day. Tender, heartbreaking and real. Catch him live at Portland’s Wordstock Festival on Nov. 6 & 7.
“The Good Immigrants – how the YELLOW PERIL became the MODEL MINORITY” (Princeton) by Madeline Y. Hsu looks at how American political narratives from earliest times to the Cold War changed immigration policy and made Chinese immigrants a ‘model minority’.
Akhil Sharma’s novel “Family Life” (Norton) about an immigrant family torn asunder by duty and the need for survival made the “10 Best Books” list of 2014 in the New York Times Book Review. Now it has come out in a new paperback edition.
“Keywords For Asian Americans” (NYU) is a collection of essays edited by Cathy J. Schlund-Vials, Linda Trinh Vo, and K. Scott Wong. Looks like a key reference book for Asian American Studies.
“Gasa Gasa Girl Goes To Camp – A Nisei Youth behind a World War II Fence” (Univ. of Utah) by Lily Yuriko Nakai Havey uses a sophisticated collage of artwork, prose and photographs a candid memoir of the camp experience through the eyes of a young girl.
Dao Strom returns with a double format presentation that shows off her writing chops and music in one package. “We Were Meant to be Gentle People” is a poetic memoir that charts a life experienced across oceans and continents in fragments of memory, image and history. The book is combined with a music cd entitled “East/West” with “chapters” in the book corresponding to song titles and lyrics interwoven amid the essays and fragments. The book is available through amazon, Ingram and various independent booksellers. The cd in both digital download and CD format via cdbaby.com or daostrom.bandcamp.com and iTunes. You can get the dual format of Cd + book via the author’s own website. Go to paperdollworks.com for details.
“Ocean of Bitter Dreams – The Chinese Migration to America 1850 – 1915” by Robert J. Swendinger has been reprinted on China Books.
“Taken from the Paradise Isle – The Hoshida Family Story” (Colorado) Edited by Heidi Kim with a foreword by Franklin Odo tells the story of artist George Hoshida and his efforts to keep his family intact during desperate times.
Bamboo Ridge Press, the publishing organ of a dedicated group of Island writers in Hawai’i keeps chugging along. The latest issue of the magazine (#106) is just out ci-edited by Gail Harada and Lisa Linn Kanae. Also due out by December is “Between Sky And Sea”, a new novel by D. Carreira Ching. For details, visit www.bambooridge.com.
The University of Washington continues to revamp its Asian American literary classics with new cover art and new introductions by scholars in the field. The latest to get this upgrade is Bienvenido N. Santos’ “Scent of Apples”, a beautifully crafted series of short stories that tell the stories of those early Filipino immigrants who came to this country to build a new life and the hardships they found. With a foreword by Jessica Hagedorn and a new introduction by Allan Punzalan Isaac.
From “Chutzpah!” hailed as one of China’s most innovative literary magazines comes an anthology entitled “CHUTZPAH! – New Voices From China” (University of Oklahoma Press) edited by Ou Ning and Austin Woerner. Includes sixteen selections that take readers from the suburbs of Nanjing to the mountains of Xinjiang Province, from London’s Chinatown to a universe seemingly springing from a video game.
Rohini Mohan looks at three lives caught up in the aftermath of Sri Lanka’s twenty-year civil war as even today ethnic and religious conflicts continue to run rampant in “The Seasons of Trouble – Life Amid the Ruins of Sri Lanka’s Civil War” (Verso). This debut book stems from the author’s extensive, award-winning career as a political journalist covering Sri Lankan politics and the personal lives of its citizens.
“Chord”(Sarabande) is a new book of poems by Pacific Lutheran University Professor Rick Barot that looks at the limits of representational art and language in a carefully crafted series of poems that show the limits of our human condition and the threads that bind us together.
Luo Ying went through the experience of the Cultural Revolution in China and in “Memories of the Cultural Revolution” (University of Oklahoma Press) as translated by Seattle poet/translator Denis Mair, this memoir in verse brings to light with devastating clarity those defining moments of a young life in turmoil.
Artist Trust at Large Marketing Webinar + Watching party takes place on Jan. 12 at 6pm at Beacon Hill Library. Learn how Artist Trust gives Washington artists a career boast by showing you how to create a strong social media strategy and on-line presence. Also applications for Artist Trust Fellowships in the Craft, Literary, Media and Music Arts will close on Jan. 11, 2016 so apply today. Fellowships provide up to $7,500 for practicing professional artists of exceptional talent and ability. There are also one-month residencies at the Millay Colony of the Arts with a $1,000 stripend. Literary artists are also encouraged to apply to the 2016 EDGE Professional Development Program which takes place in port Townsend March 13 – 20, 2016. The EDGE program provides a comprehensive survey of professional practices through a hands-on, interactive curriculum that includes instruction by professional in the field. Application deadline for this program is also on Jan. 11, 2016. The Irving and Yvonne Twining Humber Award is an unrestricted award given annually to a Washington State self-identified woman visual artist, age 60 or over, who has dedicated 25 or more years of her life to creating art. The award recognizes creative excellence. Applications for this award are now open. Artist Trust an be reached via email at email@example.com or call 206-467-8734. Toll-free is 1-866-21-TRUST.
Gallery4Culture is seeking exhibition proposals for the upcoming season (beginning Sept. 2016 and running through July 2017). The application is now available with a deadline of Mon., Jan. 11, 2016 at 4culture.org/apply. King County artists working in all visual media, except performance, are eligible to apply. Applicants may not be represented by a commercial art gallery.
Jack Straw Cultural Center is currently accepting applications from Seattle high school students for a new pilot program, “The Jack Straw Young Writers Program”. This program will introduce high school writers to the medium of recorded audio, provide them with literary mentorship, develop their presentation skills for both live and recorded readings, and present them in public readings at Jack Straw. Application deadline is 5pm on Friday, Jan. 22, 2016. For questions or how to apply, email firstname.lastname@example.org or call 206-634-0910. Winning student writers will be selected by Seattle’s Civic Poet, Claudia Castro Luna.
The Seattle Office of Arts & Culture is offering a FREE two day intensive basic training overview to artists who are ready to their exhibition experience to the public art realm. Any artist who has not received a temporary or permanently sited public commission over $1,500 is eligible. Deadline is Tues., Feb. 2 at 11pm, 2016. A workshop will be available to help you know how to apply. It takes place on Mon., Jan. 11 at Columbia City Library at 6pm. 4721 Rainier Ave. S. For details, try http://www.spl.org/locations/columbia-branch. For information on this Public Art Boot Camp 2016, go to www.seattle.gov/arts or call Marica Iwasaki at 206-233-3946 or Elisheba Johnson at 206-684-0182.
Washington Lawyers For The Arts offers a workshop on Washington State Tax Fundamentals on Jan. 27 at 6pm at Creative Blueprint at 1617 Boylston Ave. For details, email email@example.com or call 206-328-7053.
Pilchuck Glass School offers the John H. Hauberg Fellowship to encourage collaboration among a group of outstanding artists. Groups of up to six are invited to submit proposals for utilizing the studios and campus environment for research and development of artwork based on a common theme or a collaborative project. Residency dates are April 27 – May 13, 2016 and applications are due Oct. 26, 2016. Visit Pilchuck.com for application and instructions. If you have further questions, contact the registrar at firstname.lastname@example.org or call 360-445-3111, ext 29.
Friends of Asian Art Association is an all-volunteer organization that connects its members and the community to educations, cultural and social events tied to Asia and its diverse art forms and culture. Enjoy year-round activities and meet new friends who share similar interests by becoming a member. All are welcome to the activities but members get special discounts and perks. Go to FriendsOfAsianArt@earthlink or call (206) 522-5438. Seattle Asian Art Museum’s Alvord Board Room. (206) 522-5438 or email FriendsofAsianArt@earthlink.net to make reservations and buy tickets.